Sunday, 8 February 2015

Her Darker Hours

And when she smiled she didn’t know if she was smiling because she wanted to or if she was smiling because there was nothing else to do; but the thought did not bother her. She closed her eyes when she smiled and crinkled their corners, letting the light spread throughout her face. Her hair framed her face like a picture on a wall, and she didn’t worry about the complexity of similes and metaphors because they were superfluous to her happiness. She was a wisp in the willows, a dainty dandelion blowing in the breeze. Her nose was straight and proud and she was the Dandelion Queen. She was the Mistress of Magic and the Friend of those who knew her magic.

Her magic was her smile; or maybe it was from her smile. That light glowed with pulsating crackles and lit up the hearts of the coldest of souls with its fiery warmth. That light glimmered from a distance, the epitome of the house on the hill. She let her light shine. And she didn’t worry about when it would go out — she knew that it had a purpose and a reason or existing, and that was all she needed to know. She didn’t wonder about the reason for the purpose, or the purpose of there even being a reason. No. She just lived, and smiled, and lived, and smiled.

She didn’t think too deeply, about anything in particular, and so she led a peaceful life. She could, when the need arose, lend her understanding ear to a poor heart and think about that poor heart with the utmost care and compassion. But all her musings were of love for the heart, of finding a way to make that poor heart happy again. She didn’t ponder on even those issues for an unnecessarily long time either: The issue arose, she helped, and it was solved. Nothing was a problem to her because everything she knew, had known and would ever know, dictated that ethos—the ethical existence where nothing cannot be helped, and nothing is impossible.

But there came a point in her smiling life when nothing became something.

Nothing became an entity that existed and did not fit the bounds her mind. ‘Nothing’ was a problem. ‘Nothing’ could not be helped. ‘Nothing’ was impossible. But the very existence of the ‘Nothing’ meant that everything she’d ever believed was false. If Nothing was impossible and yet also a real thing, possible, then how could it exist? And if it could exist, how could she wrap her docile comprehension around the blasphemous anomaly? Now she started realising that Queens were paltry objects that normally made loquacious kings jealous. She began to accept that the zany yearnings she exhaled in this new world were not lies. The truth was an object and not an ethic.

She noticed what letters her words began with, and tried to use them in sentences. She attributed this to a beyond crazy imagination. Imagination was good and innocent in the old world, where ethics stood — she remembered that. But now all that she knew, had known and would ever know, became contradictions. The ethos they had at one point all been in accordance with was now a contradiction. And if the ethos was a contradiction, then what were those who followed that ethos? Was she now a contradiction? And she wondered, if she was a contradiction, then her existence was proof of her never existing. So did she exist?

Her smile perplexed itself into a blurry haze. It was upside down at first, but then she wondered what upside down really was. And then she thought that maybe her smile was the right way up and it was she who was upside down. But her hair still hung down by force of gravity, so she persuaded herself she must be the right way up. Not her smile. Although what was gravity really? Other than a word? And why should she believe that it even existed? And so she muddled her smile and it grew and shrank like a flickering candle and she wondered why it could grow and shrink and if it ever passed through the same place whilst it was growing and shrinking. And if it did, what purpose did it serve to grow and shrink?

But she didn’t know.

And then her smile grew muddier and muddier and muddlier and muddlier, and she was anxious because she knew that muddlier wasn’t a word but she couldn’t remember who had told her that. And the crinkles in the corners of her eyes engraved themselves onto her face as she clenched her eyes shut so she wouldn’t have to see the muddle. But although her eyes were shut so tightly, she found she could still see the muddle in her mind. Which meant that the muddle was not real, because it was a figment of her imagination.

But that would mean that anything she thought of was not real, merely a figment of her imagination, and she knew that certain things were real. She could feel the blade, for example. She knew it was silver. She knew it had been passed down through the generations, that it was an heirloom. But then she thought that that was an idiomatic expression, and idiomatic expressions were exclusive to one language. So if they existed in her language, but not in someone else's, then was it fair for them to exist in the first place?

And where was the first place, she wondered, as her fingers passed over the embossed initials of her great great grandfather on the handle. Was it where he was born? Or was it where Adam was born? Or maybe Eve because that was when the beginning began. But wouldn’t it be where Cain was born, because he was definitely the first real child? But she was the first real child - the first real child of her parents. But what about the other first real children? If that was where the first place was, then there were an infinite number of first places and that would mean that everything that began in the first place was at this very moment existing unfairly.

But, she thought as she gripped the silver handle tightly, who was she to decide what was fair and unfair? And what would be achieved by making that decision? And really, was there any point in achieving anything? The ethos said there was, because that was why she existed, wasn’t it? She couldn’t remember. She reached to her heart to make sure she still existed.

She touched her heart then, and felt it beating as she drew it out of her chest on the silver blade of the silver heirloom which was a silver dagger.

Yes, she thought, as her crinkles ironed out and her smile turned the right way round and her hair hung where it was supposed to hang. Yes, I know. I do exist.

And the light went out.

Sunday, 25 January 2015

The Peacocks are in power.

Patriotism pales to a pall
and the Peacocks are in power,
who knows what happens when the Peacocks go?
The Peacocks are in power.

Power, power, what is power?
Where does power come from?
Is power down beneath the sea?
Is power in the yellow sun?

The pilgrims travel off the earth
and yearn for power's might,
but the Peacocks arrived before them all;
the Peacocks left last night.

Power, power, what is power?
Where does power come from?
Is power in the ancient days?
Is power yet in days to come?

The Peacocks preen themselves some more,
their feathers gleaming in the sun,
and glossy patterns wriggle around
running, screaming, from the gun.

Power, power, what is power?
Where does power come from?
It's in the gun, it's in the gun,
that's where power comes from.
Peacocks scatter, Peacocks run,
Now you know where power comes from.
 


Saturday, 3 January 2015

An Other World


“Is there an other world,” the daisy asked,
 
“that lies beyond what I can see?

 I nod my head and dance to the sun

 but really, all I can see is me.

 I don’t exist because of who I am,

 I exist because you named me:

 if you weren’t here, if I wasn’t there

 then where would I be?”

 

“That other place,” the fog replied

 as it slithered across the skin,

 seeped into every grassy hair,

 fed tables that lay within.

“That other place where no one goes,

 where no one’s been before

 except, of course, for these and those

 and the ones in between less and more.”

 

“Can I visit them?” the daisy asked,

 as she sang her little song.

“Don’t hurry God,” the fog replied,

“He’ll send you there ere long.”

 

Tuesday, 30 December 2014

love caused global warming



Categorically I will lay my life down for the people I love.

She said that with a spirited grunt that slithered down the spines of everyone in the room.

That’s non-committal she said
No it isn’t he said
Yes
No
Maybe then
Okay

That’s how everything is ending up these days. We argue and then we make up and we achieve nothing. Really, we achieve nothing. Nothing. Do you know how painful it is to achieve nothing? There is this vast void – can you see it? – that opens up when we fight. When we kiss and make up it’s still there; you just can’t escape it. It gets all awkward and hot and stuffy and no one can tell whether this is a lover’s tiff or a permanent strike of lightning that will separate us forever. I don’t know if I want us to separate or not. Maybe it would be better if we did, because then Global warming might stop.

Did you know that Global Warming has nothing to do with pollution? Well, not the pollution you’re thinking of. Global Warming is caused by these little lover’s quarrels. To be honest, I didn’t think that a little void between two inseparables was such a bad thing. Do you think it is? Well you should. The void grows and grows and gets bigger and bigger and soon the words 'grow' and 'big' do not suffice and 'suffice' is irrelevant because nothing suffices. Nothing, nothing can penetrate that void except for the etiolating arms of the lovers themselves. So every time a pair of lovers split at the seams and then try and make up, they send threads of bright furious love, or so it’s called, across the great tear, to try and fix it. But the tear is like shredded metal and you can’t fix metal with love. So the threads have to be really really hot and really really strong. The people who don’t last are the ones whose threads are too weak to bridge the void. The people who do are the ones who, well, who do.

But see here; the people who just rip all these gashes into the material of the universe, and leave them dangling, open and raw, are the ones who set the scene for global warming. They leave their silly little attempts at threading their tear back together hanging in the void, sending out little shivers of warmth that rattle the metal fabric and excite it into some sort of temperature increase, but really give it false hope. If you heat the metal repeatedly, again and again, it loses its strength and eventually it starts to shatter. At first there is just one miniscule crack, but soon that crack sends out runners and the runners send out sprinters and the sprinters break records and every dasher comes tumbling down in a feeble collapse of the frame of one little niche of the world.

Even the lovers contribute to Global Warming. No pair of lovers is without a few tears in the fabric of their relationship: it’s in the laws of love and friendship and marriage and all of that emotional verbiage and pleonasm. They make their little tears and 'fix them real quick.' They fix their 'lil ole tears' with scalding dishes of white hot “make up” sauce. Sauce? Sauce. Gravy maybe. Possibly custard. It all depends on the couple. They fix up their little issues by drowning them in love and make up stuff. They fill the bottomless void. They FILL the BOTTOMLESS VOID. That’s not possible. That’s what you think. It isn’t really possible. It can carry on for a millennia, maybe, potentially, a scrap longer - but what happens when all that burning stuff heats up all the  molecules of the void and melts the void and everything around the void?

It will melt the tear and tear the tear and scare the tear into tearing itself into a bigger tear that will make the fabric of the universe tear up. The universe will heat up. The universe will cry. All this rubbish they teach you about Global Warming and Climate Change is verbiage. Global Warming is caused by love, divorce, love, pain, love, hurt, love, everything else. Love is just this little guy in a big world and yet he can melt the world and divide the world and tear the fabric of the world. The world is green, blue, black – love is red. When the two mix, you get BROWN. Sludge brown. 



Will I still lay down my life for the people I love? Or am I already killing them with my love?

Sunday, 14 December 2014

Why Hold Onto The Future?



In 100 year’s time all you’ll be is a photo,
You’re only remains a picture on a wall;
And children will look at you
And say you look like Mum
And say they look like you
Like you do right now.

And your children will tell stories
About when they were young
And they’ll talk about the things you told them
You did when you were young.
And you won’t be forgotten
Because they will remember.

But how about when they’re gone?
How about when no one cares?
Will you have to wait for an inquisitive descendant
To research her family tree
To be recalled to the present?

But really, does it matter?
Why hold on?
I want to, humans need to,
But why hold on?